Filming Absence

by Rohan Crickmar

Almost Nothing, by Ana Hušman (2016)
Non-Places: Beyond the Infinite (Nemísta: Za horizontem nekonečna), by Péter Lichter (2016)

Two short experimental films coming out of an Eastern European milieu and focusing primarily on what isn’t seen does not necessarily posit an aesthetic trend, but it is remarkable how both Ana Hušman and Péter Lichter skirt around the visible as a defining element of each of their most recent shorts.

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Skoro ništa, Mali salon MMSU; 15. 6. – 6. 7. 2016.

Kustosica: Ksenija Orelj
Radno vrijeme: utorak – petak 15 – 20 sati / subota i nedjelja 10 – 13 i 17 – 20 sati
IMG_8482

Skoro ništa MMSU

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South by Southeast, Times museum 22 March – 8 May, 2016

Common is the notion that the south lies at the opposite of north and that the north is supposedly ascendant, more prone to power, and closer to the imagined center. The south is cast as the peripheral and the dispossessed and that it gathers at the perceived fringes of province on a map of asymmetries. Such a curious psycho-geographical, or geopolitical, imagination yields another antinomy: the west and the east, bearing more or less equivalent valences as north and south. This procedure of organizing the world reduces the latter into polarities and verticalities, the west is modern and everywhere yet the east is timeless and afar. The situation where the south and the east cohere to form the coordinate of the southeast is exceptional. It is possibly a double negation: not north, not west. And as such, it is a productive locus: it is not the center, twice.
više na Times Museum
plakatTimes
Participating artists: Art Labor (Vietnam), Pio Abad (The Philippines), Jon Cuyson (The Philippines), Maung Day (Myanmar), frombandungtoberlin.net (trans-national), Nilbar Güreş (Turkey), Ahdiyat Nur Hartata (Indonesia), Maja Hodošček (Slovenia), Ana Hušman (Croatia), Eisa Jocson (The Philippines), Šejla Kamerić (Bosnia and Herzegovina), Li Jinghu (China), Dalibor Martinis (Croatia), Sebastian Moldovan (Romania), Jakrawal Nilthamrong (Thailand), Aemilia Papaphilippou (Greece), Raluca Popa (Romania), Lia Perjovschi (Romania), Marko Tadić (Croatia), Saša Tkačenko (Serbia), Pradeep Thalawatta (Sri Lanka), The Bureau of Melodramatic Research (Romania), Lyno Vuth (Cambodia), Zhou Tao (China)

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Abeceda nezavisne kulture: Ana Hušman, intervju

Intervju je nastao u sklopu Abecede nezavisne kulture, projekta dokumentiranja i predstavljanja kulturnih i umjetničkih praksi u regiji koji, uz potporu Balkanskog fonda za umjetnost i kulturu, zajednički provode SEEcult.org, Kulturpunkt.hr i Booksa.hr. Autori intervjua su novinarka Janja Sesar, snimatelj Ivan Slipčević i redatelj Kyril Rubinstein.

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OFSAJD / UMETNOST U NEDOZVOLJENOJ POZICIJI / Galerija Podroom, Trg republike 5. Beograd, 3 – 26. jul 2014.

Umetnici: Bojan Bem, Marko Crnobrnja, Uroš Đurić, Ana Hušman, Zdravko Joksimović, Omer Ali Kazma, Zoran Naskovski, Slavimir Stojanović, Miloš Tomić, Dragan Živančević.

Pre dve godine Kulturni centar Beograda formirao je Kolekciju Oktobarski salon, zbirku radova koje su umetnici poklonili. Među njima nalaze se i radovi na temu fudbala. Daljim istraživanjem ispostaviće se – ne slučajno – da je lista vizuelnih umetnika koji u svojim radovima koriste fudbal kao medij impresivna, i po sadržaju i po obimu. S druge strane, izložbe savremene umetnosti posvećene ovom sportu, i kod nas i u svetu, retke su, pa ova disproporcija na najbolji način ilustruje „elitistički“ odnos prema fudbalu.

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Razglednice na Tabor film festivalu, Kino Cinema Rustica,14.6.2014. 18, Dvor Veliki Tabor

Dvanaesto izdanje našeg festivala pravo je malo filmsko hodočašće. Nakon velikog povratka u dvorac Veliki Tabor, naše nomadske filmske duše ponovo su se odlučile na skitnju, kako bi pronijele kratkometražne glase na razne strane Hrvatskog Zagorja, ali i skrenule pozornost na to da film svoju publiku može pronaći svugdje – i na trgovima, i u kinima, i u dvorcima, i na bregu i u dolu…

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The Market@Peter Macapia BORROWORROB: In Search of Symmetry, 05. – 27.03.2014. HDLU, Zagreb

Izlažu: Peter Macapia, Vito Acconci, Paolo Cirio, Einat Amir, Tonči Antunović, Ivan Argote, Fayçal Baghriche, Mladen Stilinović, Ana Hušman, Luciana Lamothe, Peter Rostovsky, Mary Jeys
Projekcije filmova : Ante Babaja, Charlie Chaplin, Buster Keaton

Borroworrob: U mnogočemu je svaki umjetnički rad postavljen u odnosu na drugu silu. Ta aktivnost sama po sebi je prostorna. Pitanje posuđuje prostor od prostora kojeg propituje, ali istovremeno ta pitanja oduzimaju prostoru, kojeg propituju, njegov vlastiti prostor, ponekad puno, ponekad samo malo – udvostručujući ga, okrećući ga iznutra prema van, vraćajući simetriju u asimetriju. Na ovoj izložbi Macapia postavlja razna pitanja koja se tiču prostora, uključujući ekonomiju, urbana istraživanja i povijest.

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interview/text: Elaine Ritchel: FILM AND THE SCRIPTED WORLD: MULTIMEDIA ARTIST ANA HUŠMAN

For multimedia artist and filmmaker Ana Hušman, socially constructed interactions are a constant source of fascination and creative inspiration, and film is the perfect media to examine these scripted behaviors.

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text: Jasna Jakšić – On total work of art, dismantled /// Ricerche di S/Confine, Dossier 2 (2013)

ovaj post nije dostupan na hrvatskom

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Podroom, Trg republike 5, ANA HUŠMAN I MARKO TADIĆ, 8.11. – 8.12. 2013.

Podroom, Trg republike 5 ili Knez Mihailova 6 (iz Beogradskog izloga)
Radno vreme: 12:00 – 20:00, nedeljom ne radi
Na izložbi Ane Hušman i Marka Tadića biće prikazani najnoviji radovi hrvatskih umetnika, koje je publika u Beogradu već imala prilike da upozna. Filmovi Ane Hušman Nogomet i Ručak bili su prikazani prošle godine na 53. Oktobarskom salonu, a na ovogodišnjem Salonu u okviru prezentacije Živog arhiva – Perpetuum mobile može se pogledati i rad Marka Tadića.

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